Dipole
No box, no reflections — the wave travels freely in both directions and the stage becomes three-dimensional.
Open baffle audio system
GLADIATOR
Sound without compromise.
A unique open baffle system, handcrafted for those who hear the difference.
Open baffle audio system
Why open baffle
Four principles that define the sound.
Stage
Source position stays exact even when you move off the listening spot — the image follows your motion, it does not lose it.
Natural
No box resonance, no coloration — you hear exactly what the instrument played.
Details
Micro-details that vanish in a sealed cabinet — breath, wood grain, decaying overtones.
The system in numbers
Measured in the lab. No rounding.
0 Hz
Lower limit
0 kHz
Upper limit
0 dB
Sensitivity
0 Ω
Impedance
Open baffle audio system
How open baffle works
The driver radiates both ways — the figure-8 pattern cancels box resonances and leaves only the signal.
Craft & materials
Every system is assembled by hand, component by component.
OFC copper
Highly refined copper foils with precise geometry — zero phase shift at 100 kHz.
MDF baffle
High-density boards, structurally isolated — zero mechanical transfer between bass and midrange.
Steel X-frame
Modular chassis modules with rubber wheels and primary vibration damping.
Wooden base
Six-way crossover on a wooden base with anti-vibration isolation.
The first time I heard the speakers disappear and only the music remain. The stage is incredible.
Details I have never heard before — as if the connection between performer and listener melted away.
The most natural sound I have ever had in my room. Without compromise, literally.
The box has vanished from the sound. Music now lives in the space, not on a shelf.
The low bass became part of the music, not noise. The room sounds like it breathes.
After twenty years of listening, the first system that surprised me. The silence between notes is another experience.
Vocalists now stand in front of the speakers, not inside them. That is what I have been looking for decades.
My neighbours think I have an orchestra in the living room. I am just playing vinyl.
Dynamics from the first to the last note without any strain. The system simply does its job.
I bought it sceptically, and stayed because of the stage. Now I cannot imagine music without it.
Every note has weight and a place in space. This is not reproduction — this is presence.
Craft you can hear. Wood, board, driver — everything works together as one organism.
When the music stops, the silence that remains is part of the sound. I have never felt that before.
From jazz to electronic records — everything sounds like it happens in the room, not from a box.
The calibration for my room was decisive. Sound became geometry, not chaos.
I listen to the same record I have had for five years and hear a completely new album.
Micro-details: the singer's breath, the stick hitting the bell. Sound as sculpture, literally.
The room has become an instrument. For the first time I understand why people pay for systems like this.
No box resonance, no fatigue after two hours. The music lasts as long as you want.
Every crown and every wait was worth it. The best sound investment I have ever made.
Hear the difference yourself
Every session is booked individually — the system is calibrated for your room.
Book a listening session